Blood appears in almost every scene after the murder.
It begins as literal blood on hands, becomes a stain that will not wash, and ends as a way of saying 'murderer' without saying it.
An object that carries meaning beyond itself — but only because the work has spent effort making it carry that weight. A symbol is not a code word; it is a thing the story keeps returning to.
Look for the object that appears at a moment of change, and notice whether the characters themselves react to it.
So that a single image can hold a whole argument without the writer having to state it.
Blood appears in almost every scene after the murder.
It begins as literal blood on hands, becomes a stain that will not wash, and ends as a way of saying 'murderer' without saying it.
The green light at the end of Daisy's dock.
Hope, distance and money at once. By the final page it has become the American future itself — always receding.
Windows and thresholds between the two houses.
Every intrusion across a window is a violation of someone's interior life, which is why the ghosts keep asking to be let in.
Do not decode one-for-one. If the symbol has a single fixed meaning, it is an emblem, not a symbol.