The Joads' chapters alternate with wide-angle chapters about the whole country.
The private story and the national one comment on each other without either being reduced to illustration.
Placing two things side by side so the comparison does the work. No connective tissue, no explanation — the reader supplies the meaning.
Look for a hard cut: scene to scene, stanza to stanza, image to image. Ask what the cut refuses to say.
Because argument by arrangement is harder to resist than argument by statement.
The Joads' chapters alternate with wide-angle chapters about the whole country.
The private story and the national one comment on each other without either being reduced to illustration.
The gassed soldier, then the Latin motto.
The quotation is placed after the body, and the arrangement is the argument.
A pub conversation next to fragments of Shakespeare and Wagner.
High and low culture collide to make a single ruin, which is what the poem says modernity is.
Juxtaposition is not contrast for its own sake. The pairing should produce a third meaning neither part had alone.