A calm economic case for eating children.
The speaker's reasonableness is the attack. Swift never breaks character, which is why the horror keeps escalating.
Mockery with a purpose: the work exposes a vice or folly by making it ridiculous. Satire always has a target outside the text, and usually a preferred alternative it does not state.
Ask who is being laughed at — a character, the narrator, or you. If the narrator is also a fool, the satire is aimed at the reader.
Because ridicule can go where argument cannot, and because laughter is hard to arrest.
A calm economic case for eating children.
The speaker's reasonableness is the attack. Swift never breaks character, which is why the horror keeps escalating.
A narrator who keeps reminding you these are puppets.
The satire includes its own author, which is why it never feels self-righteous.
The commandments edited overnight.
The joke is the technique: power changes the record, not the principle, and everyone agrees to misremember.
Satire is not simply criticism. It needs a form — exaggeration, parody, irony — that makes the audience complicit in the joke.