Ambition as a role you agree to play — the witches write the script and Macbeth supplies the belief.
“Vaulting ambition, which o'erleaps itself”
Why it mattersShakespeare's insight is that ambition needs a story before it needs a sword. Macbeth can name his own appetite but cannot stop performing it.
Ambition as retroactive self-invention: not to get rich, but to be born again as someone who was always acceptable.
“Extraordinary gift for hope”
Why it mattersGatsby's money is a means, never an end. Fitzgerald makes class the immovable object and ambition the unstoppable force, then shows which one wins.
Ambition disguised as generosity — Victor wants to be thanked by humanity for what he does alone in a room.
“I will pioneer a new way”
Why it mattersShelley separates ambition from appetite: Victor is not greedy, he is vain. The creature is what happens when ambition refuses to stay at the level of theory.
Ambition at provincial scale, where the enemy is not fate but the small compromise nobody notices making.
“The pier glass”
Why it mattersEliot measures ambition by attention. Lydgate's failure is not dramatic — it is a series of small concessions to comfort, and the novel keeps the receipts.
Ambition without moral cover, in a world where everyone else is climbing too and lying about it.
“Vanity Fair! Vanity Fair!”
Why it mattersBecky Sharp is condemned for doing openly what the respectable characters do quietly. Thackeray's satire targets the audience, not the climber.