Identity split into three: the face people see, the portrait that keeps the truth, and the soul that does the choosing.
“All art is quite useless”
Why it mattersWilde asks which version is the real person — the charming one in the room or the image in the attic. Every answer convicts somebody.
Identity as a decision to partition yourself, then a failure to control the partition.
“Man is not truly one, but truly two”
Why it mattersJekyll's mistake is not that he has a dark side. It is that he thinks a chemical can do the moral work of integration.
Identity built by refusing the roles offered: poor relation, governess, mistress, wife.
“I am no bird”
Why it mattersJane's power is refusal. Brontë makes plainness a kind of authority, which was a new kind of heroine for the English novel.
Identity assigned by others — Antoinette is renamed, re-described and diagnosed until only the label survives.
“I wanted to be happy”
Why it mattersRhys shows how naming is a form of ownership, and how a story told once can make a person permanently legible in the wrong way.
Identity as a job title: when Gregor cannot work, nobody can say who he is.
“Transformed”
Why it mattersThe family does not ask what happened to Gregor, only how it affects the household. Kafka's subject is the self that exists only in other people's accounting.